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Carrion_Crow

Stealth Head

+49667


Submissions

2
Playin' In The Band
Aug. 26, 1971
Gaelic Park

At risk of putting all '71 up here. Tell me to stop if too much! I just love the twangy country versions, knowing the evolution in store for it.
12
Wharf Rat
Aug. 23, 1971
Auditorium Theatre

Extremely powerful. Strong vocals, massive sound, tremendous jam, great mix. Coming off 30 minutes of TOO like a parachute from the ionosphere.
3
Bird Song
Aug. 23, 1971
Auditorium Theatre

Intricate zigzagging solo work from Jerry, tight ensemble playing. Doesn't ever "soar" like some of them, but more exploratory and compelling.
3
Casey Jones
Aug. 23, 1971
Auditorium Theatre

They announce the set-break, then decide to blow out the tubes on this one, capping one of the best 1st sets of 1971.
4
Loser
Aug. 23, 1971
Auditorium Theatre

Snarling guitar solo and great organ sound in an excellently mixed (Bobby audible always a plus) SBD. The whole first set is sweet heady goodness.

Comments

Its All Over Now
April 30, 1977
The Palladium

Bobby's voice at the Palladium is just perfect and it adds even more to this honky-tonk two-steppin' version. There's something about his mic and mix at this period that brings out richer timbres and his natural melodiousness, not only his growls and howls. Let's give Bobby his due amongst all the other hyperbole about 'peak Dead' from the Spring of '77. This is simply bee-yoo-ti-ful, and with both Jerry and Donna harmonizing the out chorus it makes a case for best ever, for sure.
The Music Never Stopped
April 30, 1977
The Palladium

How new was Keith's synth technology in '77? Strings must have seemed like they came from Mars for the trippin' heads, the bug-eyed, and the two-dimensional.
Around and Around
April 29, 1977
The Palladium

Accelerando !!!! A c c c e l e r a n d o !!!!!!!!!!!
The Wheel
April 29, 1977
The Palladium

Jerry pops the clutch with a power chord to get this in gear before that semi- gets moving up the highway.
Goin' Down The Road Feelin' Bad
April 29, 1977
The Palladium

The transition is so beautiful. Not to be pedantic, but FoTM had just entered rotation and had only been played five times since being introduced just a month earlier. Scarlet had been played without Fire for all of '74-'76, so the heads would be gobsmacked by the brilliant transition, but not necessarily the cool pairing that we find anomolous today. There are some brilliant standalone versions of Scarlet out there: My favorite is probably June 9, 1976.