headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.
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Comments

Playin' In The Band
July 14, 1976
Orpheum Theatre

Deep and thick Playin' here. I'm going to say here that this show is under-appreciated. Maybe the history of low-fi tapes for the era has had an impact, but damn if this doesn't cook, and cook hard, regardless of how people dismiss '76 as one long opiate haze of slow tempos and sleepy grooves. Check it out, get into it. You'll love it, I swear.
Scarlet Begonias
July 14, 1976
Orpheum Theatre

Super fine yes, but chilled out? I'm not so sure... By '74 standards the whole year is chilled out, but this SB grooves hard and goes deep in for over 10 minutes. One of the best stand alone versions, for sure.
High Time
July 13, 1976
Orpheum Theatre

This is an absolute beauty. Good call. This show needs a bit more love, folks.
Let It Grow
July 13, 1976
Orpheum Theatre

Can't update the version that I submitted, but I can recommend that you heads get yer asses over to July 13, 1976 and give this one a spin. It has one of the tightest, musically coherent and spotless drum solos in LIG that I know, and the whole thing just lights everything around it on chemical fire.
Cassidy
July 13, 1976
Orpheum Theatre

Play this for anyone who still insists a) that '76 was a chronic drag; or that b) Donna didn't sing beautifully when mic'd and mixed correctly.
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