2nd one ever, and doesn't flow perfectly yet. They're working out the lovely 3-part harmonies and it's just fantastic transitional Dead.

Sweetness in the '70 acoustic key. Confusing setlist/archive on this show, but worth a listen.

In spite of a bit of tape wobble, this is an otherwise pristine version, with everyone keyed up right. A tight solo and a fun time.

Fast acoustic pickin' with alternative lyrics. Sounds almost like a 12-string in places. Is that possible?

All the power and, let's admit it AMBIVALENCE by our boys is on here. They flub the lyrics but bigbang the jam. We are the answer to the answer, man.

Thanks for bringing this immortal show back up. The Lee / Miller AUD is brilliant. Check out how Billy feeds Phil during his solo. God, '74 was a monster year full of peak Dead.

Hey Marvin, I didn't know they toured in '77. Thanks for the heads up! [...] Really brother there's something about this era that I love just a wee bit deeper: Partially its the electric-voodoo influence from Miles Davis with a bit more danger and heaviness that to my ears got scrubbed clean with the (admittedly) more musically precise, "crisp and clean" aesthetic of 1977. (I also like the one-drummer era for the greater freedom Billy had and his almost melodic approach to collective improv). If you post a list of your favorite '77s, I'll go and listen to them all again and maybe I'll change my tune, but until then, I'm mostly an old fogey deadhead who goes apeshit for the pre-hiatus work. Cheers and thanks!

Video looks like it was filmed through a pair of black socks, but the camera work is professional and was probably an authorized video (on stage closeups, multiple cameras, good videography). Does anyone know the story behind it?

Cool if not grainy video of this at https://www.youtube.com/watch?v=mf1dNTexCL4. Be warned, it looks like it was filmed through a roll of electrical tape, but it's nice to see them up close again.

Sweet uptempo transition into Supplication. LL>Sup was such a sparkling tingly buzz of a jam, and with its angular off-kilter 7/4 "lop-sided wheel" propulsion, it's almost the perfect musical expression of the effects of certain bitter South American alkaloids. Just sayin'.