headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

4
China Cat Sunflower -> I Know You Rider
June 6, 1970
Fillmore West

Short Cat, but very interesting transition, with Bobby driving in all his angular beauty, followed by a tight jamming Rider.
2
Mama Tried
June 5, 1970
Fillmore West

Want to here the '70 sound, the closeness, the transition from psychedlicore to country to arena rock? Here it is in all its chaotic beauty.
4
Cold Rain and Snow
June 5, 1970
Fillmore West

Like everything from this epic heady show, the boys are just exactly perfect. The vocals are so on. Jerry sounds great.
3
New Speedway Boogie
June 5, 1970
Fillmore West

With the exception of the unfortunate tape flip, this is a pristine acoustic version. Jerry has the vox of an angel here.
3
Friend of the Devil
June 5, 1970
Fillmore West

Pure and perfect. Fans of '70 will already love it. Those discovering the acoustic Dead, here it is. Wow.
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Comments

Help On The Way > Slipknot > Franklin's Tower
June 24, 1976
Tower Theatre

In a Summer full of great HSFs, this Slipknot stands out. Exquisite and precise: This is a wheels-in-wheels, gears-turning-gears curlicue loop-de-loop moonshot. Only this band could pull this off with such rockin' oomph.
Scarlet Begonias
June 24, 1976
Tower Theatre

In a show that doesn't really catch fire in the first set, this SB is a real beaut with tight and ensemble jamming and the precise musical mastery they had on display during their best of '76.
Cassidy
June 24, 1976
Tower Theatre

No doubt that '76 was the best year for the Donna/Bobby vocal duo, and this is a sweet one, even if the energy stays pretty subdued. I'm surprised to hear any head say that they normally skip over Cassidy, which I've always loved for its beautiful lyrics that send me speeding through the dessert in a Caddy with the two Cassies. Well de gustibus non est disputandum I guess, or in Dead speak, "that cool, bro".
Cold Rain and Snow
June 24, 1976
Tower Theatre

With its funny combination of woe-is-me lyrics and its cocky strutting rhythm and Jerry-as-Pigpen blues role CRS has always been my favorite show opener. This version is a bit scaled back, pouring on that laid back '76 vibe, but the sound and mix are phenomenal and it still sets up that get-up-and-dance flavor to the party. On this one, look for Donna's sweet harmonic touches on the shout chorus, once again proving that Summer '76 was her peak time and demonstrating just how much she could have brought to the band if properly mic'd and mix'd in the screechy early years.
Dancin' in the Streets
June 23, 1976
Tower Theatre

Not as weird, experimental, and open as they get in the Fall '76 tour, but a fun one nevertheless. Starts to show how much they were thinking of opening it back up.
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