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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Big Railroad Blues
Oct. 27, 1971
Onondaga War Memorial

A barnburner, charged up and powerful. Nice clear musical ideas throughout the jam.
3
Playin' In The Band
Oct. 27, 1971
Onondaga War Memorial

Like 10.23 this has a burning, agressive quality and hard-driving pulse that gives it huge horsepower. Playin's eternal metamorphosis on display here.
4
Tennessee Jed
Oct. 27, 1971
Onondaga War Memorial

Jerry's soloing throughout this one is fantastic, precise and rockin'.
2
Jack Straw
Oct. 27, 1971
Onondaga War Memorial

Nice version, band kicks into gear and sounds great, ironing out a few kinks in the mix earlier in the set. Early Keith show = dynamite stuff.
9
China Cat Sunflower -> I Know You Rider
Oct. 24, 1971
Easttown Theatre

Overlooked. No peace-and-love version, this is rock and freaking roll. The transition to Ryder is pure shredding genius.

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.