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Carrion_Crow

Stealth Head

+49667


Submissions

8
Brown Eyed Women
Oct. 18, 1974
Winterland Arena

Subtle power and perfect execution. The "retirement" shows are full of pure, clear playing.
6
Good Lovin'
Jan. 23, 1970
Honolulu Civic Auditorium

Relaxed (Hawaii, natch) vibe without a Pig rap, but the band sounds just outta sight and Pig is on. Good times here.
16
Black Peter
Jan. 23, 1970
Honolulu Civic Auditorium

Powerful vocals and a tight sound in front of what sounds like only 100 people.
4
Candyman
Feb. 1, 1971
Unknown

You've never heard anything like this before. Out take from American Beauty era, mis-dated on Archive, but absolutely wonderful.
3
Truckin'
Aug. 26, 1971
Gaelic Park

A+ goddamned good, keeps me bobbing and weaving. Hard throbbing, and into a killer TOO, too.

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.