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Carrion_Crow

Stealth Head

+47940


Submissions

4
Cassidy
July 16, 1976
Orpheum Theatre

Bobby's warmup after a CRS opener helps kick off one of the best 1st sets of 1976. Part of the brief era when they mic'd and mixed Donna beautifully
4
The Wheel
July 14, 1976
Orpheum Theatre

Gets right weird as part of a deep PITB sammy. How many first set spacemelts are there in '76? Something in the water for this hometown show???
3
Looks Like Rain
July 14, 1976
Orpheum Theatre

How these guys (and gal) could turn such a cheese-ball song into massive lift-off spaceship jam event horizon is a modern miracle of music.
2
The Wheel
July 12, 1976
Orpheum Theater

Smooth running, out of a very cool, thematically coherent Drums. Beautiful harmonies. Every Wheel is an elegant treat from '76, and this is a beaut.
4
Dancin' in the Streets
July 12, 1976
Orpheum Theater

On of the post-haitus ones that stretch and groove and go every-which-way. What a treat.

Comments

Eyes Of The World
June 20, 1974
The Omni

It's been a long time since I dipped back into this tour and wow. This is a gem. It has that unmistakeable drive and power of the great '74s and some of Phil's best soloing. What a powerful statement. With that tight odd-metered outro (7/8 + 7/8 + 6/8 I think, maybe... though I'll be damned if I've ever figured it out) I can fully understand why they might have been thinking about an eventual Eyes>Slipknot combination, but this is it, really. Did they ever develop this knuckle-busting combo any further?
Cassidy
April 23, 1977
Springfield Civic Center

I feel like this might be the first moment in the year when you can really hear how categorically they changed their ensemble concept from '76 to '77.
Sugaree
April 23, 1977
Springfield Civic Center

How bold is it to OPEN with Sugaree? At its fastest this is a mid-tempo swing and it is - by my memories - somewhat notorious for pulling down the vibe when they kicked off too slow. Not this puppy. It's got a strong pulse and grooves from note one. And Jerry means business from the jump. His solos are pristine lines of inspiration. Also: Note one is the tinkling homage to Dylan's "Everyone Must Get Stoned", undoubtedly. Have a listen on the C. Miller version and tell me I'm wrong!
The Wheel
April 22, 1977
The Spectrum

The Wheel was always good medicine. This one starts like a mirage on a hot highway fluttering in the distance, then coalesces into a perfect form, just perfect before that really really pristine Lady With a Fan section of Terrapin. As much as I love this show, this is the first part of the set where they're really playing as one. The S>F is super loose and as cool as the Dancin' is, they seem to struggle to hit the bridge. But this... this is gooood medicine.
Got My Mojo Working
April 22, 1977
The Spectrum

I think this hardly counts as a Mojo. It really never ever coalesces around the song but is really just a riff/vamp within the Dancin'.