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Carrion_Crow

Stealth Head

+49622


Submissions

4
Cassidy
July 16, 1976
Orpheum Theatre

Bobby's warmup after a CRS opener helps kick off one of the best 1st sets of 1976. Part of the brief era when they mic'd and mixed Donna beautifully
4
The Wheel
July 14, 1976
Orpheum Theatre

Gets right weird as part of a deep PITB sammy. How many first set spacemelts are there in '76? Something in the water for this hometown show???
3
Looks Like Rain
July 14, 1976
Orpheum Theatre

How these guys (and gal) could turn such a cheese-ball song into massive lift-off spaceship jam event horizon is a modern miracle of music.
2
The Wheel
July 12, 1976
Orpheum Theater

Smooth running, out of a very cool, thematically coherent Drums. Beautiful harmonies. Every Wheel is an elegant treat from '76, and this is a beaut.
4
Dancin' in the Streets
July 12, 1976
Orpheum Theater

On of the post-haitus ones that stretch and groove and go every-which-way. What a treat.
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Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.
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