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Carrion_Crow

Stealth Head

+49612


Submissions

2
Good Lovin'
April 26, 1977
Capitol Theater

That's how you open a set and start the party. Bobby's in full command, Donna tight behind him, Keith blazes like a sparkling meteor. Hot stuff
1
Space
Sept. 10, 1974
Alexandra Palace

Headyversion doesn't have a "Seastones" page so it'll have to go here. Super subtle and very weird: Not everyone's soundtrack but it's one of mine!
1
Friend of the Devil
April 26, 1977
Capitol Theater

Strap on headphones (AUD quality) and forget about the manic screaming. Listen to Keith, you won't regret it.
1
Big River
April 26, 1977
Capitol Theater

Blazing hot. Don't be put off by the AUD quality. Strap on the headphones and go. Brilliant.
1
Cassidy
May 7, 1981
Tomorrow Coast To Coast with Tom Synder

Rounding out the 4-song acoustic set on "the Tomorrow Show". Here's the awesome video: https://www.youtube.com/watch?v=chADQBmosEQ - enjoy it Heads!

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.