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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

5
Mama Tried
May 15, 1970
Fillmore East (Late Show)

With the NRPS and ridiculously perfect. Perfect vocals and Jerry's '70 pedal steel sound. Amazing.
6
Good Morning Little Schoolgirl
May 14, 1970
Merramec Community College

Tight version, excellent Pig harp solo, then Jerry on bottle neck? Is that a slide? It's freakin' awesome, and the strong pulse makes it excellent.
4
Good Lovin'
May 14, 1970
Merramec Community College

Aight, we're going to just big up this whole show. This is delicious eat-me goo. Damn. May '70 is prime love. Dig the great recording too.
4
High Time
May 14, 1970
Merramec Community College

The vocals throughout this show are sublime. This is the era of three-part harmony. They were just so fresh, and every moment is a treat. Enjoy.
3
China Cat Sunflower -> I Know You Rider
May 14, 1970
Merramec Community College

Crystal clear version, not sure why it's been overlooked. Beautiful vocals, great recording, indicative of the transition sound of the era.

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.