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Carrion_Crow

Stealth Head

+49622


Submissions

2
El Paso
Sept. 30, 1976
Mershon Auditorium, OSU

Phil rips this one wide open with a brilliant countersolo to Jerry's brilliancies and whirlygigs. Strong version here.
3
Johnny B. Goode
Sept. 28, 1976
Onondaga County War Memorial

I think they encored JBG whenever they knew they'd absolutely nailed it. It's like comedians telling "The Aristocrats". Musicians can just tell....
9
Dancin' in the Streets
Sept. 28, 1976
Onondaga County War Memorial

How on earth is this not up yet? It really kicks off the Fall '76 retooling of Dancin' with style. Brilliant, tight, and part of an enormous 2nd set.
7
New Minglewood Blues
Sept. 28, 1976
Onondaga County War Memorial

This one and the 07.18.76 versions are both so goddamned good. Jerry is a tsunami behind snarlin' Bobby. So gritty, so good.
2
Samson and Delilah
Sept. 27, 1976
Community War Memorial Auditorium

Stunning. Chronically underrated song in a chronically underrated year: Listen to Jerry blaze through this like a man with 100 fingers.

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.