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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

1
Hurts Me Too
Dec. 27, 1970
Legion Stadium

Pig's vox never sounded better. Pure, fine Blue Ron soul and a rippin' set of solos, but sadly cuts out.
1
Good Lovin'
Dec. 26, 1970
Legion Stadium

All about the jam. One of the mello raps of the era, and they go off in that way that says "let's do this forever". Why not here?
2
Friend of the Devil
Dec. 26, 1970
Legion Stadium

Sweetness in form and execution. Even the feedback from the monitors harmonises nicely. A gentle, delicate version.
2
King Bee
Dec. 23, 1970
Winterland Arena

Deep blues, two brilliant harp solos, great Jerry work (duh), and a Charlie Miller cleanup. Listen up!
5
Deep Elem Blues
Dec. 23, 1970
Winterland Arena

Starts a little funny, but has that rare electric funk quality. On the recent C. Miller cleanup, so thank you sir.
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Comments

Let It Grow
June 23, 1976
Tower Theatre

Powerful, forceful, fast, and precise. This is the type of LIG that I would just go nuts for as a young head. This one is just rip-roaring from word go, has a blistering drum solo a greased lightning re-entry before smoothing the way for cool jam into Cosmic Charlie. This kind of "under the radar" jam is perfect for the era: LiG>CosmicC then SS>NFA>SS? How often did they play that combination?
Lazy Lightnin' -> Supplication
June 23, 1976
Tower Theatre

One of the best from June '76.
Big River
June 23, 1976
Tower Theatre

Takes a lot to get me to vote for a Big River, but you've got to hear Keith and Jerry's double solos here. Just perfect.
The Music Never Stopped
June 23, 1976
Tower Theatre

Slightly mellower tempo than some of the wild barn-burners of the time, but this lends itself to a sharp and spiffy show opener with a beautiful swimming interlude vocal (Donna haters notwithstanding) and great crowd pleasing starter. Summer '76 was some brilliant peak Dead, rolling out their next act. Don't skip this one.
Playin' In The Band
June 22, 1976
Tower Theatre

How the Dead can be simultaneously so understated and mellow, yet so tweakingly far out and experimental is one the musical mysteries. This is just wild stuff - it has all the electric-Miles feel mentioned above, but it has that unmistakable high-speed, low-altitude cruising. Around minute 18, after the short proto-FTM jam, Jerry just takes off and skims the treetops. Freeform beauty ensues as they move towards The Wheel.
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