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Carrion_Crow

Stealth Head

+49667


Submissions

4
Dire Wolf
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

A little triumph here. Acoustic intimacy from a brilliant great of a show.
2
Mama Tried
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Like all your best friends sitting around the campfire, strumming and pickin' by starlight. Have a sip or a toke and enjoy....
4
Friend of the Devil
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Really lovely here, part of one of the warmest, most intimate acoustic sets of 1970.
3
Not Fade Away
July 16, 1970
Euphoria Ballroom

Jerry and Bob bite down hard and tear into this one with muscle. Their interplay lightens up and whoops! We find ourselves in Stephen.
3
Candyman
July 16, 1970
Euphoria Ballroom

Anthemic beauty. Great ensemble singing and powerful pacing to it. Then Janis steps on stage for Love Light, so there's that.

Comments

Let It Grow
June 23, 1976
Tower Theatre

Powerful, forceful, fast, and precise. This is the type of LIG that I would just go nuts for as a young head. This one is just rip-roaring from word go, has a blistering drum solo a greased lightning re-entry before smoothing the way for cool jam into Cosmic Charlie. This kind of "under the radar" jam is perfect for the era: LiG>CosmicC then SS>NFA>SS? How often did they play that combination?
Lazy Lightnin' -> Supplication
June 23, 1976
Tower Theatre

One of the best from June '76.
Big River
June 23, 1976
Tower Theatre

Takes a lot to get me to vote for a Big River, but you've got to hear Keith and Jerry's double solos here. Just perfect.
The Music Never Stopped
June 23, 1976
Tower Theatre

Slightly mellower tempo than some of the wild barn-burners of the time, but this lends itself to a sharp and spiffy show opener with a beautiful swimming interlude vocal (Donna haters notwithstanding) and great crowd pleasing starter. Summer '76 was some brilliant peak Dead, rolling out their next act. Don't skip this one.
Playin' In The Band
June 22, 1976
Tower Theatre

How the Dead can be simultaneously so understated and mellow, yet so tweakingly far out and experimental is one the musical mysteries. This is just wild stuff - it has all the electric-Miles feel mentioned above, but it has that unmistakable high-speed, low-altitude cruising. Around minute 18, after the short proto-FTM jam, Jerry just takes off and skims the treetops. Freeform beauty ensues as they move towards The Wheel.