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Carrion_Crow

Stealth Head

+49652


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.

Comments

Shakedown Street
Oct. 25, 1979
New Haven Coliseum

I'm going to put this one above Merriweather for Brent bringing on the funk, Bobby's tweaking wah, and just how much it brought me back to what was probably the first Dead song I ever knew by name.
Sugaree
June 21, 1976
Tower Theater

This one swings with great purpose. It builds up and up, and blows up with a nice smooth climax.
Not Fade Away
June 19, 1976
Capitol Theatre

Philzone nirvana here. At a couple of points it almost sounds like he's forcing the band into a Supplication jam that never quite coagulates. Other than that, this confirms my hypothesis that the man has ten fingers on each hand. What a monster musician!
Let It Grow
June 19, 1976
Capitol Theatre

I agree that that the Devils make this one special. It has that amped up and kicking on top of the beat feel of the speedy early 80s versions. The segue is smoother than "proper" sounding like a DJ blending two tracks as much as a typical GD transition.
High Time
June 19, 1976
Capitol Theatre

Jerry and Donna like a choir of angels on this one.