headyversion

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Carrion_Crow

Stealth Head

+49712


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.
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Comments

Playin' In The Band
June 19, 1976
Capitol Theatre

Bobby mangles the lyrics from the first moment - almost comically, but that's all good. What follows is a mysterious exploration of space and chaos with that cool understatement of the era.
Samson and Delilah
June 19, 1976
Capitol Theatre

This Summer tour is full of the most strident and forceful Samsons that bring out the gospel origins. I honestly never gave too much thought to this song whenever I saw them play it (mid-late 80s) but these earlier ones are so full of strut and swagger, they're show highlights. Excellent version here.
Cassidy
June 19, 1976
Capitol Theatre

Perfect. This and the BEW before it sound like so much of a preview of what they'd be developing in '77.
Brown Eyed Women
June 19, 1976
Capitol Theatre

I bet if you played this for 50 heads, 49 would think it sounded like a '77. There's something pristine and crisp and tight about it. It may be the first indication of where they were heading. Great choice.
Help On The Way > Slipknot > Franklin's Tower
June 19, 1976
Capitol Theatre

Shaolindarkstar said it right. All my words condensed to "THE OMNIPOTENT GRATEFUL DEAD". The Slipknot is mellow but somehow blazing hot. And the Franklin's finds a deep pocket and comes out note for note perfect. God, I love the '76 sound.
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