headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

9
Candyman
June 15, 1976
Beacon Theatre

A subtle beauty. Just a bit of swagger, just a bit of grit, lots of fine singing, and an acqueous solo for the ages.
6
Samson and Delilah
June 14, 1976
Beacon Theatre

Scorchin' hot barnburner here. The Rhythm Devils push this one ever hotter. Bobby and Donna sound perfect together.
2
Dancin' in the Streets
June 12, 1976
Music Hall

Superb version, surprising not listed yet. Tighter to my ears than the other more well-known ones in the Boston run. Check it out!
3
Johnny B. Goode
June 11, 1976
Boston Music Hall

MORE COWBELL! (And some very tight, blistering rock, sweet ensemble vocals, and good times for everyone after a great great show.)
2
Samson and Delilah
June 11, 1976
Boston Music Hall

Ballsy strut. Donna and Bobby are perfectly in sync, the mix is great, and Jerry's on fire. Check out the Miller cleanup.
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Comments

Playin' In The Band
June 19, 1976
Capitol Theatre

Bobby mangles the lyrics from the first moment - almost comically, but that's all good. What follows is a mysterious exploration of space and chaos with that cool understatement of the era.
Samson and Delilah
June 19, 1976
Capitol Theatre

This Summer tour is full of the most strident and forceful Samsons that bring out the gospel origins. I honestly never gave too much thought to this song whenever I saw them play it (mid-late 80s) but these earlier ones are so full of strut and swagger, they're show highlights. Excellent version here.
Cassidy
June 19, 1976
Capitol Theatre

Perfect. This and the BEW before it sound like so much of a preview of what they'd be developing in '77.
Brown Eyed Women
June 19, 1976
Capitol Theatre

I bet if you played this for 50 heads, 49 would think it sounded like a '77. There's something pristine and crisp and tight about it. It may be the first indication of where they were heading. Great choice.
Help On The Way > Slipknot > Franklin's Tower
June 19, 1976
Capitol Theatre

Shaolindarkstar said it right. All my words condensed to "THE OMNIPOTENT GRATEFUL DEAD". The Slipknot is mellow but somehow blazing hot. And the Franklin's finds a deep pocket and comes out note for note perfect. God, I love the '76 sound.
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