headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Cumberland Blues
Feb. 6, 1970
Fillmore West

With that fresh brilliance of its time. The show starts with country bluegrass, goes blue, then psychedelicore: A perfect '70 combi.
4
Good Lovin'
Feb. 6, 1970
Fillmore West

Hot burner, with Pig's voice just perfect. He drives everyone to higher and higher vocal heights.
3
Hard to Handle
Feb. 6, 1970
Fillmore West

I love the hard chargers, but this one is different: Almost mellow with a slow simmering groove. Cool, not hot. Check it out.
4
The Race Is On
Feb. 5, 1970
Fillmore West

Some of Jerry's best pedal steel soloing work ever. Shitkickinly good.
3
The Eleven
Feb. 5, 1970
Fillmore West

Incomplete, but fantastic tight jam with lovely China Cat riffs. A fantastic jam with Mason's>11>Caution>NFA
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Comments

Playin' In The Band
June 19, 1976
Capitol Theatre

Bobby mangles the lyrics from the first moment - almost comically, but that's all good. What follows is a mysterious exploration of space and chaos with that cool understatement of the era.
Samson and Delilah
June 19, 1976
Capitol Theatre

This Summer tour is full of the most strident and forceful Samsons that bring out the gospel origins. I honestly never gave too much thought to this song whenever I saw them play it (mid-late 80s) but these earlier ones are so full of strut and swagger, they're show highlights. Excellent version here.
Cassidy
June 19, 1976
Capitol Theatre

Perfect. This and the BEW before it sound like so much of a preview of what they'd be developing in '77.
Brown Eyed Women
June 19, 1976
Capitol Theatre

I bet if you played this for 50 heads, 49 would think it sounded like a '77. There's something pristine and crisp and tight about it. It may be the first indication of where they were heading. Great choice.
Help On The Way > Slipknot > Franklin's Tower
June 19, 1976
Capitol Theatre

Shaolindarkstar said it right. All my words condensed to "THE OMNIPOTENT GRATEFUL DEAD". The Slipknot is mellow but somehow blazing hot. And the Franklin's finds a deep pocket and comes out note for note perfect. God, I love the '76 sound.
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