Murky AUD and incomplete show on IA, but a blaze of fun, this one. Has an itty-bitty Mountain Jam at 1:25 for about 12 seconds.

Some rough spots coming back in, but a very interesting almost Santana-esque first jam and a great Pig groove. Interesting one.

Surprised it isn't here yet. Only one in '71 and it intensely musical and weirdly experimental. Crashes into a short feedback/tuning then a sweet UJB.

Moves between super-charged hard rocker and an open-spaced delicate beauty. Marred by a cut, so how far did it really go? Anyone have the complete?

Soaring jam flirts with tipping into the outer void. Wild beauty with Pig on B3 gives it something extra.

The transition from LIG is just brilliant. Jerry won't let go and kicks into it like nobody's business. What follows is Grateful Dead magic. This whole show is an under-the-radar masterpiece.

Fast and furious. Cut loose from the full suite, these Summer '76ers are greased lightning. Cool to hear it here as part of an expansive (but not interstellar) 2nd set full of great jams and tight arrangements. The transition into Wharf Rat is a thing of beautiful mystery, with Jerry hanging on to the jam well into the first minute of WR.

Too easily overlooked as a Bobby toss-away in the later years, this song has deep gospel pedigree. These early ones come blazing out like you best-be-goin'-to-church. This is a terribly underrated verison, killing it with the muscle and strut of the man in the song.

Endless energy! That's how. Endless creative and extra-sensory perceptive musical high-level energy. They're operating here across the electro-magnetic spectrum, drawing current from some cosmonautic source I've only glimpsed whispers of, seen in flashbang seconds of color, or whatnot. That's how, brother Glyn, that's how. But plus, if you want a cool study of how they picked up a thread and moved with it, compare this Dancin' with the ones later in the year (Sept.-Oct.) for a great taste of rapid-action evolution. Here they're still working out the form, hinting and ducking and weaving around the electric slide section. It's cool to hear them thinking in realtime.

Oh baby, that's a nice Scarlett, full of sweetness and light, lovely lady sounds whispered gently from within the backlighting, plus a dreamy creamy bubble-up-to-the-surface jam that just caresses. The Scarlett-without-FTM may be an acquired taste for some, but give this one a listen, let it take you awayyyyyyyy.