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Carrion_Crow

Stealth Head

+49767


Submissions

46
Ripple
April 29, 1971
Fillmore East

Also just about pretty damn perfect too. Follows a super-macho Hard to Handle and the combination shows so much of the emotional breadth of the Dead.
7
Tomorrow Is Forever
Dec. 11, 1972
Winterland Arena

A sweet and rare country torch ballad showing off just what they were thinking bringing the Godchaux on board the bus.
48
The Other One
Aug. 6, 1971
Hollywood Palladium

Heavy and Heady. Starts with super-charged explosions then melts into ballsy MAMU in under 8 minutes. Love the '71s.
28
Truckin'
Aug. 6, 1971
Hollywood Palladium

Absolutely smokin' hard rocking swagger. Builds from a cool shuffle to a blisteringly hot rocker setting up Drums/TOO. Great show all around.
15
Me and Bobby McGee
Aug. 6, 1971
Hollywood Palladium

The band plays/signs together so well on this sweet one. The whole concert is brilliant.

Comments

Cassidy
June 17, 1976
Capitol Theater

Thank you John Perry, you've brought endless joy with your art. This was one of your masterpieces, and it's been in my head every day when I wake up for a week now. I'm writing this just after learning about your passing, and just want to listen to Bobby sing your words all day. "Catch-colt draws the coffin cart" indeed, indeed.
Cold Rain and Snow
June 17, 1976
Capitol Theater

Always my favorite show opener. It would just put a smile on everyone's face and let you know the boys had some grit in them. This one is sweet and mellow with a devilish strong backbeat pushing it forward and the delicious harmonies that make '76 so special.
Stella Blue
June 15, 1976
Beacon Theatre

The intro almost sounds like they were going into a jam before the melody. It's one of the slowest ones to date, but doesn't really drag. Instead it becomes atmospheric and floating, almost like a Stella Blue in the form of a vapor or fragmented images out of SB dream. Jerry does get you there in the end: The final minute of the solo is the definition of "epic heady".
St. Stephen
June 15, 1976
Beacon Theatre

Really special version. Sort of just emerges to the audience's great joy. Moves into a unique NFA too. Great way to open the set.
Bertha
May 9, 1977
War Memorial

Might come as a surprise for fans of the classic off-to-the-races, running from the law show opener we all know and love, but this one is unique to my ears and worth all the love. Sorry Donnie, but they looooooved messing with expectations of what "should be" and was "supposed to be" this way or that. And why not shift the tempo down and try it as a mellow shuffle? Don't like it that way, switch it up and try it as a country carnaval again.... Was Good Lovin' "supposed" to be Pigpen's blues or Bobby's Caribbean-lite dance and clap-along on the very next song? Or maybe shifting expectations was the name of the game after all? C'mon man, ease up.