headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49687


Submissions

24
Black Peter
Jan. 2, 1970
Fillmore East (Late Show)

Low key and smooth - a real treat. Show is known for its great DS>SS>11, but give this a listen. Nice.
2
Hurts Me Too
Jan. 22, 1971
Lane Community College

Despite the lo-fi tape, this has got to be some of the deepest blues they ever played. Don't let the murky recording turn you off - it's worth it.
7
Hard to Handle
April 17, 1971
Dillon Gym

Cruising along with 3rd° swagger when it suddently hits high gear and <BOOM!>, you become the Pig, and it feels good.
3
Truckin'
April 17, 1971
Dillon Gym

Openers this good let you know exactly how amazing the show will be. 17.04 isn't just the best Good Lovin' of all time but an all round killer show.
14
Big Railroad Blues
April 5, 1971
Manhattan Center

Simply the best one I know. Energetic uptempo rockin' and rollin' with a hard driving bass player named PHIL!
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Comments

Franklin's Tower
May 9, 1977
War Memorial

HSF show opener, May '77, what do guess happens next? The band is at peak tightness - with an especially switched on Phil somehow being both whitewater and raft throughout this excellent suite. The reason this probably hasn't shot up higher is that Jerry triplefucks the lyric. It doesn't break his stride at all, but that's the one flaw in the diamond.
Cassidy
June 15, 1976
Beacon Theatre

Summer '76 definitely brought out the best in Bobby and Donna as a vocal duo; and this early run also showcases Keith in his endlessly inventive cascading glory. This is a great version (alright, there are a few loose in the joints transitions, but it's the GD we're listening too, not Glenn Gould) that should have more than 2 votes!
Around and Around
June 14, 1976
Beacon Theatre

Funny moment where half the band goes into double time a chorus before the other half. A lesser band would have trainwrecked, but they pulled it together in the end. Cool slower version, though.
High Time
June 14, 1976
Beacon Theatre

This isn't just about the passionate vocals, but about the tremendous ensemble playing. Keith delivers perfect accents, the intensity swells and fades at brilliant moments, and Donna's sweet touches make this one unforgettable.
Lazy Lightnin' -> Supplication
June 14, 1976
Beacon Theatre

This is so hot. How this band jammed in 7/4 with such liquid flow is mind-boggling. Any musicians out there can confirm: It's an unforgiving time signature. Here they make it seem as easy as breathing, inspired and driven, and as wild as the lightning adrenaline Bobby's singing about.
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