headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.
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Comments

Franklin's Tower
May 9, 1977
War Memorial

HSF show opener, May '77, what do guess happens next? The band is at peak tightness - with an especially switched on Phil somehow being both whitewater and raft throughout this excellent suite. The reason this probably hasn't shot up higher is that Jerry triplefucks the lyric. It doesn't break his stride at all, but that's the one flaw in the diamond.
Cassidy
June 15, 1976
Beacon Theatre

Summer '76 definitely brought out the best in Bobby and Donna as a vocal duo; and this early run also showcases Keith in his endlessly inventive cascading glory. This is a great version (alright, there are a few loose in the joints transitions, but it's the GD we're listening too, not Glenn Gould) that should have more than 2 votes!
Around and Around
June 14, 1976
Beacon Theatre

Funny moment where half the band goes into double time a chorus before the other half. A lesser band would have trainwrecked, but they pulled it together in the end. Cool slower version, though.
High Time
June 14, 1976
Beacon Theatre

This isn't just about the passionate vocals, but about the tremendous ensemble playing. Keith delivers perfect accents, the intensity swells and fades at brilliant moments, and Donna's sweet touches make this one unforgettable.
Lazy Lightnin' -> Supplication
June 14, 1976
Beacon Theatre

This is so hot. How this band jammed in 7/4 with such liquid flow is mind-boggling. Any musicians out there can confirm: It's an unforgiving time signature. Here they make it seem as easy as breathing, inspired and driven, and as wild as the lightning adrenaline Bobby's singing about.
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