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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

7
Not Fade Away
June 4, 1970
Fillmore West

Spectacular thrashing jam. Jerry has an agressive metal sound that I like to call the "Dangerous Dead" from the era.
6
Attics of My Life
June 4, 1970
Fillmore West

For a song notoriously difficult to sing, this one comes of beautifully. June 6th is better, but good to hear them in sequence as the worked on it.
5
Friend of the Devil
June 4, 1970
Fillmore West

Hard to figure that this isn't here already: sweet acoustic intimacy and a clear '70 AUD that does it for me.
4
Candyman
June 4, 1970
Fillmore West

Intimate expression of this song's first, acoustic, right off the LP era. A bit slower, but great vocals and 3-part harmonies.
5
Deep Elem Blues
June 4, 1970
Fillmore West

Pure goodness. Warm AUD, intimate sound. This is the gold.

Comments

Franklin's Tower
May 9, 1977
War Memorial

HSF show opener, May '77, what do guess happens next? The band is at peak tightness - with an especially switched on Phil somehow being both whitewater and raft throughout this excellent suite. The reason this probably hasn't shot up higher is that Jerry triplefucks the lyric. It doesn't break his stride at all, but that's the one flaw in the diamond.
Cassidy
June 15, 1976
Beacon Theatre

Summer '76 definitely brought out the best in Bobby and Donna as a vocal duo; and this early run also showcases Keith in his endlessly inventive cascading glory. This is a great version (alright, there are a few loose in the joints transitions, but it's the GD we're listening too, not Glenn Gould) that should have more than 2 votes!
Around and Around
June 14, 1976
Beacon Theatre

Funny moment where half the band goes into double time a chorus before the other half. A lesser band would have trainwrecked, but they pulled it together in the end. Cool slower version, though.
High Time
June 14, 1976
Beacon Theatre

This isn't just about the passionate vocals, but about the tremendous ensemble playing. Keith delivers perfect accents, the intensity swells and fades at brilliant moments, and Donna's sweet touches make this one unforgettable.
Lazy Lightnin' -> Supplication
June 14, 1976
Beacon Theatre

This is so hot. How this band jammed in 7/4 with such liquid flow is mind-boggling. Any musicians out there can confirm: It's an unforgiving time signature. Here they make it seem as easy as breathing, inspired and driven, and as wild as the lightning adrenaline Bobby's singing about.