headyversion

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Carrion_Crow

Stealth Head

+49697


Submissions

5
Not Fade Away
March 24, 1970
Pirates World

Has it all, and goes seamlessly into a killer Lovelight. Not catching why this show is the bomb? Try HEADPHONES - makes a big difference!
7
Let It Grow
June 26, 1974
Providence Civic Center

As a young head I used to scream out for LIG and this one reminds me why. They click into place for a monster show right here.
12
Scarlet Begonias
June 26, 1974
Providence Civic Center

Scarlet scrambled eggs deconstructed and elemental. Fun and Jerry is on fire, but we can't say 'flawless'. Chaotic fun. Band's just warming up....
10
Wharf Rat
April 5, 1971
Manhattan Center

Beautiful Skull and Roses-era top notch Wharf Rat genius on your ears here for those'll have it. Enjoy, bros.
6
Bird Song
April 17, 1971
Dillon Gym

A strangly deconstructed early version (7th time ever), very loose in the joints. But it rolls along with great lopsided beauty. Interesting.
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Comments

Mama Tried
June 14, 1976
Beacon Theatre

Uptempo and crackling with electric energy. This is another one to play any '76 skeptics out there who think everything was just too mellow!
Comes A Time
June 12, 1976
Music Hall

Gorgeous rising intensity. It's a bold move playing WR>CAT at the heart of the set. Both are slower, emotional ballads that can tip into funereal dirges if not fully charged up. They nail it here. The Rat is like seeing old friend, but the climax comes with the CAT. Dig it!
Looks Like Rain
June 12, 1976
Music Hall

Keith and Jerry combined release a soft torrent of warm rain across the soundscape. The beauty of this often-underrated song shines across this version.
Row Jimmy
June 12, 1976
Music Hall

Great slide work, and a nice take-your-time elegance to the whole number. "Not too fast and not too slow", indeed. Brilliant run, this set of Boston shows.
Stella Blue
June 11, 1976
Boston Music Hall

Go one better than the Betty Board and listen to the brand new (Oct. 2017) Charlie Miller clean-up. He's done us another solid boys and girls, and this show has quickly become one of my favorites from the great June '76 era. This Stella shows all the creative re-thinking that the band did during their time off: They're trying out subtle changes on the old repertoire, and introducing brilliant new songs, making the month one of the great under-the-radar eras of the band. This Stella is slower, but more deliberate, almost Black Peter-paced, and full of strong playing, great thoughtful jams, and a beautiful sound.
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