headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49742


Submissions

9
Sugar Magnolia
Sept. 7, 1973
Nassau Coliseum

Yeah, Sugar Mag okay... but the Sunshine Daydream is tops. Just kills me each time I hear it.
10
Truckin'
Sept. 7, 1973
Nassau Coliseum

Top form from a great 2nd set then into a ballsy TOO jam (no lyrics) and then one of the best Eyes of all time.
19
Let It Grow
Sept. 7, 1973
Nassau Coliseum

First-ever performance. Mid-way they let it grow into experimental bliss. A must-have for LIG fans.
24
Playin' In The Band
Sept. 7, 1973
Nassau Coliseum

Intense jaming and crystal clear guitar work, plus Billy's hard driving makes it a barn-burner. Gets better each listen.
29
Here Comes Sunshine
Sept. 7, 1973
Nassau Coliseum

Really smooth and mellow groove 2nd set opener from a solid show after a month in the studio. Hard to see why not here yet.

Comments

Mama Tried
June 14, 1976
Beacon Theatre

Uptempo and crackling with electric energy. This is another one to play any '76 skeptics out there who think everything was just too mellow!
Comes A Time
June 12, 1976
Music Hall

Gorgeous rising intensity. It's a bold move playing WR>CAT at the heart of the set. Both are slower, emotional ballads that can tip into funereal dirges if not fully charged up. They nail it here. The Rat is like seeing old friend, but the climax comes with the CAT. Dig it!
Looks Like Rain
June 12, 1976
Music Hall

Keith and Jerry combined release a soft torrent of warm rain across the soundscape. The beauty of this often-underrated song shines across this version.
Row Jimmy
June 12, 1976
Music Hall

Great slide work, and a nice take-your-time elegance to the whole number. "Not too fast and not too slow", indeed. Brilliant run, this set of Boston shows.
Stella Blue
June 11, 1976
Boston Music Hall

Go one better than the Betty Board and listen to the brand new (Oct. 2017) Charlie Miller clean-up. He's done us another solid boys and girls, and this show has quickly become one of my favorites from the great June '76 era. This Stella shows all the creative re-thinking that the band did during their time off: They're trying out subtle changes on the old repertoire, and introducing brilliant new songs, making the month one of the great under-the-radar eras of the band. This Stella is slower, but more deliberate, almost Black Peter-paced, and full of strong playing, great thoughtful jams, and a beautiful sound.