headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Sugaree
Nov. 22, 1972
Austin Municipal Auditorium

Fantastic show opener, meaning business straight out of the gate. Solid, swinging pulse and great keywork from Keith.
7
Big Railroad Blues
Nov. 19, 1972
Hofheinz Pavilion

Powerfully locomotive version with lots of fun behind it.
3
Mexicali Blues
Nov. 19, 1972
Hofheinz Pavilion

Extra pop and stomp all over this one.
4
Me and Bobby McGee
Nov. 15, 1972
Oklahoma City Music Hall

Not everyone's favorite song, but I love it. This is an uptempo, airplay-tight, and beautifully sung version. Faster than most.
3
Big Railroad Blues
Nov. 15, 1972
Oklahoma City Music Hall

Turns on a dime from the cerebral extended PiTB jam into a coal-burnin' tight jam with force and power. Hot stuff showing off their limitless range.
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Comments

Mama Tried
June 14, 1976
Beacon Theatre

Uptempo and crackling with electric energy. This is another one to play any '76 skeptics out there who think everything was just too mellow!
Comes A Time
June 12, 1976
Music Hall

Gorgeous rising intensity. It's a bold move playing WR>CAT at the heart of the set. Both are slower, emotional ballads that can tip into funereal dirges if not fully charged up. They nail it here. The Rat is like seeing old friend, but the climax comes with the CAT. Dig it!
Looks Like Rain
June 12, 1976
Music Hall

Keith and Jerry combined release a soft torrent of warm rain across the soundscape. The beauty of this often-underrated song shines across this version.
Row Jimmy
June 12, 1976
Music Hall

Great slide work, and a nice take-your-time elegance to the whole number. "Not too fast and not too slow", indeed. Brilliant run, this set of Boston shows.
Stella Blue
June 11, 1976
Boston Music Hall

Go one better than the Betty Board and listen to the brand new (Oct. 2017) Charlie Miller clean-up. He's done us another solid boys and girls, and this show has quickly become one of my favorites from the great June '76 era. This Stella shows all the creative re-thinking that the band did during their time off: They're trying out subtle changes on the old repertoire, and introducing brilliant new songs, making the month one of the great under-the-radar eras of the band. This Stella is slower, but more deliberate, almost Black Peter-paced, and full of strong playing, great thoughtful jams, and a beautiful sound.
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