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Carrion_Crow

Stealth Head

+49667


Submissions

16
China Cat Sunflower -> I Know You Rider
May 23, 1972
Strand Lyceum

A more rocking version than others from the time, and oddly overlooked. Jumps off Cat right away into the long transition. Energetic stuff here.
13
Black Throated Wind
May 23, 1972
Strand Lyceum

Is there a single one from '72 that doesn't end in triumph? This song just got better and better throughout Europe. Surprised this wasn't here yet.
11
Sugar Magnolia
May 13, 1972
Lille Fairgrounds

Perfect musical sunshine. This one even got my not-at-all-into-the-Dead wife to dance around like a trippin' hippy, so you know it's good.
15
Truckin'
May 13, 1972
Lille Fairgrounds

Unforgivable that you guys overlook Truckin'. There's a reason it's the one song non-heads know. This one is a forgotten colossus. Listen up.
8
Mister Charlie
May 13, 1972
Lille Fairgrounds

Distinctly slower, with a greasier funk vibe. Surprised it isn't here. Different from the others and lots of fun.
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Comments

Mama Tried
June 14, 1976
Beacon Theatre

Uptempo and crackling with electric energy. This is another one to play any '76 skeptics out there who think everything was just too mellow!
Comes A Time
June 12, 1976
Music Hall

Gorgeous rising intensity. It's a bold move playing WR>CAT at the heart of the set. Both are slower, emotional ballads that can tip into funereal dirges if not fully charged up. They nail it here. The Rat is like seeing old friend, but the climax comes with the CAT. Dig it!
Looks Like Rain
June 12, 1976
Music Hall

Keith and Jerry combined release a soft torrent of warm rain across the soundscape. The beauty of this often-underrated song shines across this version.
Row Jimmy
June 12, 1976
Music Hall

Great slide work, and a nice take-your-time elegance to the whole number. "Not too fast and not too slow", indeed. Brilliant run, this set of Boston shows.
Stella Blue
June 11, 1976
Boston Music Hall

Go one better than the Betty Board and listen to the brand new (Oct. 2017) Charlie Miller clean-up. He's done us another solid boys and girls, and this show has quickly become one of my favorites from the great June '76 era. This Stella shows all the creative re-thinking that the band did during their time off: They're trying out subtle changes on the old repertoire, and introducing brilliant new songs, making the month one of the great under-the-radar eras of the band. This Stella is slower, but more deliberate, almost Black Peter-paced, and full of strong playing, great thoughtful jams, and a beautiful sound.
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