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Carrion_Crow

Stealth Head

+49667


Submissions

7
Not Fade Away
June 4, 1970
Fillmore West

Spectacular thrashing jam. Jerry has an agressive metal sound that I like to call the "Dangerous Dead" from the era.
6
Attics of My Life
June 4, 1970
Fillmore West

For a song notoriously difficult to sing, this one comes of beautifully. June 6th is better, but good to hear them in sequence as the worked on it.
5
Friend of the Devil
June 4, 1970
Fillmore West

Hard to figure that this isn't here already: sweet acoustic intimacy and a clear '70 AUD that does it for me.
4
Candyman
June 4, 1970
Fillmore West

Intimate expression of this song's first, acoustic, right off the LP era. A bit slower, but great vocals and 3-part harmonies.
5
Deep Elem Blues
June 4, 1970
Fillmore West

Pure goodness. Warm AUD, intimate sound. This is the gold.

Comments

Sugar Magnolia
June 11, 1976
Boston Music Hall

"Intense mellow", "laid back intensity" or what I always refer to as "hot mellow" - that's what's on display here. (Actually "laid back intensity" is a better choice of words.) As a musician I think it comes from utter confidence in the communication that comes from deep musical connection when playing together often, and of course the collective consciousness developed over years of touring, and a not insignificant reference to acid's ability to break barriers between individual egos, exposing the collective identity, a.k.a. 'there's nothing like a Grateful Dead concert'.... In any case, this Sugar Mag is brilliant. That it forms a big part of the 2nd set and not a tack-on at the end before the encore is just brilliant. The Eyes sammy is a rare treat.
St. Stephen
June 11, 1976
Boston Music Hall

From a show that just keeps giving and giving. This jam just seems to be endlessly building and building, It's complex, thoughtful and dreamish, and the vocals are sweet sweetness.
Sugaree
June 11, 1976
Boston Music Hall

Absolutely this. That build up is so beautiful. I'm surprised they didn't restructure the whole song to guarantee that would happen again. What a night this must have been.
Scarlet Begonias
June 11, 1976
Boston Music Hall

Love the standalones, and this one with the new C.Miller cleanup is just brilliant. Keith is on fire, and Phil swoops and boops like a nitrous tank filled with thousands of bubbling rubber balls. The jam is thoughtful, strong, and transportive.
Cassidy
June 11, 1976
Boston Music Hall

New Charlie Miller cleanup (from only two months ago) turns great show into a magically mixed, supremely clean snapshot of Cassidy in its infancy. Strong medicine, sparkling with brilliancy and filled with significations. Great version.