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Carrion_Crow

Stealth Head

+49652


Submissions

2
Brown Eyed Women
Oct. 28, 1972
Cleveland Public Hall

One of those note-for-note perfect versions that leave you staggered and smiling. Just beautiful.
2
Sugaree
Oct. 28, 1972
Cleveland Public Hall

Not a song I usually get so swept up by, but on this one Jer's vocals are just perfect, capturing the sweetness and sorrow of the lyrics. A beaut.
4
China Cat Sunflower -> I Know You Rider
Oct. 28, 1972
Cleveland Public Hall

High-powered and tight. This show has nothing but complaints about the mix on the archive. Listen to the Ashley transfer, and see what you've missed.
2
Tomorrow Is Forever
Oct. 27, 1972
Veterans' Memorial Hall

Such sweet harmony, such sweet sentiment - turning on a dime after the white-hot Dew. Shows the beautiful country chops Donna at her best brought.
2
Nobody's Fault But Mine
Oct. 27, 1972
Veterans' Memorial Hall

Jam starts at around 05:45, never fully forms. Am I crazy? This sounds like NFBM and it continues about 3min into TOO. Very very cool stuff here.
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Comments

Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Glad you like it darkstar67!
Playin' In The Band
June 10, 1976
Boston Music Hall

Hard to hear Jerry, but a brilliant deconstruction of Playin' here. It telegraphs the move into Dancin' a few times before definitively landing there. A fun if not obscure version. The whole show could use a serious re-mix and re-mastering to get Jerry's contribution at proper levels.
Friend of the Devil
June 10, 1976
Boston Music Hall

A Keith master class here: With Jerry really low in the mix you can get a different sense of what the rest of the band was doing. What they were doing was spectacular (you knew that), but Keith really shines here.
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Try the Tobin matrix or get the copy that circulated on nugs.net for a clearer Jerry sound. He is indeed too low for most of the Betty Board re-mix.
Mission in the Rain
June 10, 1976
Boston Music Hall

Like nearly everyone it seems, I love every (only five) GD version of this song. Back in tape-trading days this version was one of my first indications that there were 15 or so whole years of great music to tune in and turn on to before I got on the bus. That said... I've always felt that JGB was in fact the better vehicle for it. There's something so personal about the lyrics, and there always seemed something more restrained and delicate with the JGB versions. If you haven't groked them yet, check 'em out.
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