headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

6
Beat it on Down The Line
Aug. 21, 1972
Berkeley Community Theater

Has one of Jer's longest continuous strings of up-tempo 16th note solo lines (in the changes) I can recall. Wicked fast and right as rain.
3
He's Gone
Aug. 20, 1972
San Jose Civic Auditorium

This version, and the one on the 12th, are just butter. I admit to sometimes not even noticing He's Gone, but this is a high spot for it.
2
Me and Bobby McGee
Aug. 20, 1972
San Jose Civic Auditorium

One of those amazing versions of this underrated song where everyone is blazing along in collective improv to genius effect. Just beautiful.
3
Sugaree
Aug. 20, 1972
San Jose Civic Auditorium

Damn fine swagger on this one, in spite of a murky tape. Show cleans up after a few songs - thanks to C. Miller.
2
Truckin'
Aug. 12, 1972
Sacramento Memorial Auditorium

High voltage 18-wheel Truckin'. Mix and sound on this show keep it in the shadow of others this month, but the music is all there.
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Comments

Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Glad you like it darkstar67!
Playin' In The Band
June 10, 1976
Boston Music Hall

Hard to hear Jerry, but a brilliant deconstruction of Playin' here. It telegraphs the move into Dancin' a few times before definitively landing there. A fun if not obscure version. The whole show could use a serious re-mix and re-mastering to get Jerry's contribution at proper levels.
Friend of the Devil
June 10, 1976
Boston Music Hall

A Keith master class here: With Jerry really low in the mix you can get a different sense of what the rest of the band was doing. What they were doing was spectacular (you knew that), but Keith really shines here.
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Try the Tobin matrix or get the copy that circulated on nugs.net for a clearer Jerry sound. He is indeed too low for most of the Betty Board re-mix.
Mission in the Rain
June 10, 1976
Boston Music Hall

Like nearly everyone it seems, I love every (only five) GD version of this song. Back in tape-trading days this version was one of my first indications that there were 15 or so whole years of great music to tune in and turn on to before I got on the bus. That said... I've always felt that JGB was in fact the better vehicle for it. There's something so personal about the lyrics, and there always seemed something more restrained and delicate with the JGB versions. If you haven't groked them yet, check 'em out.
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