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Carrion_Crow
Stealth Head
+49667
Submissions
1
Not Fade Away
July 25, 1972
Paramount Theater
For a show that sometimes lacks a little energy in places, they end it with quite a bang. This outro is exceptionally good.
1
Truckin'
July 22, 1972
Paramount Northwest Theatre
Slow star builds up huge head of steam and a slamin' jam. Ends funny, unsure whether >He's Gone or something else. Nice version, overlooked show.
1
Mississippi Halfstep Uptown Toodeloo
July 22, 1972
Paramount Northwest Theatre
Not too polished yet, but full of that new-song exhuberence. Great key work from Keith, and a funforall Reeeee-o Grand outro.
7
Playin' In The Band
July 22, 1972
Paramount Northwest Theatre
A thing of (overlooked) beauty. Tight, muscular and coherent. It never drags. A perfect '72 Playin' here.
14
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio
You've never heard it like this: Rehearsal tape, listed as "Distorto". Track 2. An absolute treasure. Hard-freaking-core. No words, just rock.
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Comments
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall
Glad you like it darkstar67!
Playin' In The Band
June 10, 1976
Boston Music Hall
Hard to hear Jerry, but a brilliant deconstruction of Playin' here. It telegraphs the move into Dancin' a few times before definitively landing there. A fun if not obscure version. The whole show could use a serious re-mix and re-mastering to get Jerry's contribution at proper levels.
Friend of the Devil
June 10, 1976
Boston Music Hall
A Keith master class here: With Jerry really low in the mix you can get a different sense of what the rest of the band was doing. What they were doing was spectacular (you knew that), but Keith really shines here.
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall
Try the Tobin matrix or get the copy that circulated on nugs.net for a clearer Jerry sound. He is indeed too low for most of the Betty Board re-mix.
Mission in the Rain
June 10, 1976
Boston Music Hall
Like nearly everyone it seems, I love every (only five) GD version of this song. Back in tape-trading days this version was one of my first indications that there were 15 or so whole years of great music to tune in and turn on to before I got on the bus. That said... I've always felt that JGB was in fact the better vehicle for it. There's something so personal about the lyrics, and there always seemed something more restrained and delicate with the JGB versions. If you haven't groked them yet, check 'em out.
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