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Carrion_Crow

Stealth Head

+49667


Submissions

3
Cold Jordan
Sept. 17, 1970
Fillmore East

The tape quality is low, but the band was completely on in an historically important and beautiful show. Completists only AUD is C-, you're warned.
4
Easy Wind
Aug. 19, 1970
Fillmore West

Undoubtedly one of the greats. Everyone is on. Bobby solos, then Jerry schools the world, then at 7:03 sounds like D. Crosby steps in like Godzilla.
3
Friend of the Devil
Aug. 19, 1970
Fillmore West

Early uptempo, shitkickingly good. These first ones are all worth mentioning. This one is fast and good bluegrass.
3
The Other One
Aug. 18, 1970
Fillmore West

Fast and furious acid rush here. That they could go from bluegrass sweetness to this hard rock monster in one night is testament to their huge range.
6
New Speedway Boogie
Aug. 18, 1970
Fillmore West

Pure version, with just the right amount of menace and swagger. A great jam here too. Check it out.

Comments

Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Glad you like it darkstar67!
Playin' In The Band
June 10, 1976
Boston Music Hall

Hard to hear Jerry, but a brilliant deconstruction of Playin' here. It telegraphs the move into Dancin' a few times before definitively landing there. A fun if not obscure version. The whole show could use a serious re-mix and re-mastering to get Jerry's contribution at proper levels.
Friend of the Devil
June 10, 1976
Boston Music Hall

A Keith master class here: With Jerry really low in the mix you can get a different sense of what the rest of the band was doing. What they were doing was spectacular (you knew that), but Keith really shines here.
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Try the Tobin matrix or get the copy that circulated on nugs.net for a clearer Jerry sound. He is indeed too low for most of the Betty Board re-mix.
Mission in the Rain
June 10, 1976
Boston Music Hall

Like nearly everyone it seems, I love every (only five) GD version of this song. Back in tape-trading days this version was one of my first indications that there were 15 or so whole years of great music to tune in and turn on to before I got on the bus. That said... I've always felt that JGB was in fact the better vehicle for it. There's something so personal about the lyrics, and there always seemed something more restrained and delicate with the JGB versions. If you haven't groked them yet, check 'em out.