headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

4
Tennessee Jed
Oct. 24, 1971
Easttown Theatre

Muscular and punchy. Jer sings it right on: kicked my eye and kicked my dog, midnight train. Energy reigns.
1
Goin' Down The Road Feelin' Bad
Oct. 23, 1971
Easttown Theatre

Contains everything and could stand alone as an epic GDTRFB, even as part of its trad NFA sammy. Great speed work from everyone, builds and builds.
2
Tennessee Jed
Oct. 23, 1971
Easttown Theatre

"Kicked my eye and he blacked my dog". Like others this night, the vibe is aggressive and rowdy, knifey jagged soloing, this one's a killer.
4
Me and My Uncle
Oct. 23, 1971
Easttown Theatre

Introduced as"kind of a death and destruction song", which tells you all you need to know.
2
Cumberland Blues
Oct. 23, 1971
Easttown Theatre

Outrageous, hot, and pumped up. Should have been of this list a long time ago.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.