headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

9
Sugaree
Sept. 10, 1972
Hollywood Palladium

So perfect, it's hard to believe that people could improvise music like this together. This amazing show deserves a clean-up!
14
Big River
Dec. 6, 1973
Public Hall

Overlooked: Between one of this site's favorite HCSs and one of its favorite Dark Stars is a perfect, articulate, and virtuoso version of Big River.
3
Casey Jones
Oct. 28, 1972
Cleveland Public Hall

Just outrageous. Problematic show b/c of mix and cuts in the source. Not here: just a blizzard of jam.
4
Greatest Story Ever Told
Oct. 28, 1972
Cleveland Public Hall

Show is overlooked b/c mix problems, but they're absolutely on fire and this version shreds like all get-out. Call C. Miller for this one please!
6
Playin' In The Band
Oct. 28, 1972
Cleveland Public Hall

Could be massively heady, but Billy is so high in the mix that it's hard to follow others. Any cleaner versions out there? Has everything but the mix.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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