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Carrion_Crow

Stealth Head

+49667


Submissions

9
Not Fade Away
July 17, 1976
Orpheum Theatre

Smoldering hot and long jam capping a great 2nd set. The kind of jam you want to go on forever.
2
Beat it on Down The Line
Oct. 21, 1971
Auditorium Theatre

Listen in and hear exactly where Jerry's fingers achieve terminal velocity. Keith's first shows have manic wild energy, lots of fun.
7
The Other One
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Hard charging power here in 24 minutes of explosive dark matter. It's a massive oversight that this show hasn't been more widely appreciated.
7
Brokedown Palace
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Stunning. Beautiful harmonies, strong pulse, Keith roars in like they know in advance what he brings. Show needs more love.
2
Playin' In The Band
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Massive transitional masterpiece. 1st with Keith, and he's the missing ingredient that tips PiTB over the edge into its full glory. Great mix.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.