headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

14
Wharf Rat
Oct. 16, 1974
Winterland Arena

Coming out of a 48 min jam to open the set, this one is like a small visitation before another huge jam>Eyes. A big epic indeed.
8
Playin' In The Band
Sept. 21, 1974
Palais Des Sports

Overlooked space-jazz masterwork. Mercurial and vast. Listen to it as the outcome of the Space before it and BANG! you're on a deep ride furthur.
6
Space
Sept. 21, 1974
Palais Des Sports

10mins of absolute weirdness. Incorrectly listed as Seastones - but Jerry, Keith and Billy are there with Phil and Ned. An outrageous corker. Scary.
4
Bertha
Sept. 21, 1974
Palais Des Sports

Show opener with mix off: not perfect but interesting to hear Phil/Bobby interplay (almost exclusively), which is rare for '74 recordings.
10
China Cat Sunflower -> I Know You Rider
Nov. 19, 1972
Hofheinz Pavilion

Uncategorizably brilliant transition jam. Sweet sweet Rider. Overshadowed by the immortal PITB that follows. Give a spin, it won't disappoint.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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