headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49682


Submissions

17
Scarlet Begonias
July 29, 1974
Capitol Center

Everything's perfect and beautiful in this one. Can we just say "All Scarlets from Summer '74 are epically heady", cause I don't know a bad one.
16
Playin' In The Band
July 27, 1974
Civic Center

As brilliant an example of Billy K's genius as I know on the Archive. Great meltdown, too. Put it in the same category as 02.12.73. It's that good.
8
Me and Bobby McGee
July 27, 1974
Civic Center

Starts simply enough, then around the four-minute mark just explodes into a beautiful carnival funride of musical unity and sweet sweet soul.
4
It Must Have Been The Roses
July 27, 1974
Civic Center

Very sweet and right out of a grooving MHUT. Summer '74 is chock-full of goodness, and this Roses doesn't disappoint one little bit.
15
Row Jimmy
Feb. 15, 1973
Dane County Coliseum

2nd ever, very interesting. Sounds like they're working out the feel, quite uptempo almost rocksteady (not reggae, yo) beat.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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