headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49682


Submissions

21
Playin' In The Band
June 30, 1974
Civic Center

Deep and weird, capping a set full of loose fun. They get into it and it's all business with a wild trans into UJB, slipknot tease, and a great outro.
16
Dire Wolf
June 30, 1974
Civic Center

Seems like they're just having a great old time jamming together. A loose, fun-filled 1st set capping off a great month in Dead history.
9
Dark Star
April 21, 1969
The Ark

A beautiful monster with intrepid intricacies throughout. Rhythmic Jerry investigations of the theme plus Tom C. on celeste.
2
Sugar Magnolia
April 8, 1971
Boston Music Hall

Super high energy, lot's of fun. They came to gether nicely on this one.
19
Playin' In The Band
May 3, 1972
Olympia Theater

Massive and dark with fantastic interplay between everybody on stage. Doesn't quite melt down, but dances next to chaos just perfectly.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.