headyversion

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Carrion_Crow

Stealth Head

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Submissions

10
Black Throated Wind
Dec. 6, 1973
Public Hall

Perfectly executed arc of mounting emotions in this great version. The band is so tight throughout this show.
16
Uncle John's Band
Dec. 1, 1973
Music Hall

Righteous beauty from probably the most seriously overlooked show from '73 (surrounded by the big beasts in Boston) inside a Playin' just soooo good.
14
Playin' In The Band
Dec. 1, 1973
Music Hall

Outrageous oversight that this crystal clear beauty isn't here. Bobby's vocals, brilliant ensemble playing, glorious UJB in the sandwich. DIG IT!!!
8
They Love Each Other
Dec. 1, 1973
Music Hall

Great version, yeah its Boston '73. But probably the best Stage Banter ever: Check out 09:49 explaining why they aren't going to play St. Stephen.
5
Loser
Nov. 23, 1973
County Coliseum

Nov. '73 and there isn't a bad show in it. This Loser has something special in its tightness and the tempo (doesn't drag). Damn they were good.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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