headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

7
Playin' In The Band
Oct. 21, 1973
Omaha Civic Auditorium

Early Playin'>MHUT>Big River>Playin' sandwich. Worth it for the surprise bigbang key-changer from River into the wildassed 2nd Playin'.
5
Let It Grow
Oct. 21, 1973
Omaha Civic Auditorium

Liberated from the Horn Section, the boys let 'er rip. Standard fare until about 6:30, then Jer and Keith just explode into full immensity.
6
Cumberland Blues
Oct. 21, 1973
Omaha Civic Auditorium

Up and jumping, fast and precise version in spite of a few sound quality problems.
3
Black Throated Wind
Oct. 21, 1973
Omaha Civic Auditorium

Sound quality may prevent some from appreciating this show, but don't miss this one. Bobby gives it everything, everyone goes nuts behind him.
5
Sing Me Back Home
Sept. 26, 1973
War Memorial

Forgotten or overlooked, but melts-in-your-mouth sweet. More of a triumphant blues than the gospel beauties from '72.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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