headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

5
Row Jimmy
Sept. 7, 1973
Nassau Coliseum

Drags at first, but Jer's soloing builds beautifully on his new Wolf. Historical if only for that but also a passionate, sweet version.
3
Goin' Down The Road Feelin' Bad
Aug. 1, 1973
Roosevelt Stadium

Jer's b-day. Sweet jamming version with great vocals, in spite/because of what sounds like a cold/sore throat. Brilliant show all around.
3
Casey Jones
Aug. 1, 1973
Roosevelt Stadium

Closes 1st set with a smooth but up-and-jumping version.
2
Goin' Down The Road Feelin' Bad
July 31, 1973
Roosevelt Stadium

Jumping version capping off a blazingly great show. With a nice mellow outro, too. The crowd and the boys just seem so full of joy and love.
5
Loose Lucy
July 31, 1973
Roosevelt Stadium

The boys experimented with Lucy till they dropped her and this here's a gritty gutbucket blues version. Essential '73 for you Lucy chasers out there.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.