headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

11
Candyman
Feb. 18, 1971
Capitol Theater

Beautiful harmonies and country soul. Brilliant and historically important show.
10
Playin' In The Band
Feb. 18, 1971
Capitol Theater

First performance ever and it's slower, but beautiful and raw. Bobby sings like a country warbler typical of the '71s. Historically interesting.
15
Greatest Story Ever Told
Feb. 18, 1971
Capitol Theater

Primordial version, first time played, introduced as "Mickey wants to call this one 'The Pump Man' for reasons of his own." Raw and unlike any other.
19
Loser
Feb. 18, 1971
Capitol Theater

First Loser ever and the last Mickey show before his break. Brilliant version, hot energetic vocals and that good '71 sound.
15
Hurts Me Too
Feb. 18, 1971
Capitol Theater

Dripping with deep-soul. Pigpen's voice at its best. Sounds like honey.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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