headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

17
Samson and Delilah
May 7, 1977
Boston Garden

Never thought I'd dig this song so much. They're just so on this whole night (week actually).
12
Next Time You See Me
April 17, 1972
Tivolis Koncertsal

Simply amazing. Check out the video: http://www.youtube.com/watch?v=YyAOwP8dLqc
22
He's Gone
April 17, 1972
Tivolis Koncertsal

I love this version. It's got oomph and doesn't put you to sleep. http://www.youtube.com/watch?v=YyAOwP8dLqc for video.
12
Jack Straw
April 17, 1972
Tivolis Koncertsal

Great bumping version. Check out the video! http://www.youtube.com/watch?v=YyAOwP8dLqc for rare Europe '72 footage.
22
Fire On The Mountain
July 27, 1973
Grand Prix Racecourse

Embryonic "Fire" in the "soundcheck jam" into Wharf Rat. Not a full FTM, but of amazing Deadfulness and not listed elsewhere. Check it out!
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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