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Carrion_Crow

Stealth Head

+49667


Submissions

4
The Music Never Stopped
June 11, 1976
Boston Music Hall

Baffling that this isn't here yet. Perfect tight ensemble playing, exhuberence and one idea flowing into another. Great recent C.Miller cleanup too.
3
Brown Eyed Women
June 11, 1976
Boston Music Hall

Beautifully cleaned up version up now showcases the tight ensemble playing here. Bobby's tone is crystal clear and his fills are a treat to hear.
7
It Must Have Been The Roses
June 11, 1976
Boston Music Hall

If you've passed by this show, you're missing out a sweetheart of a Roses here. Check out the new C.Miller clean pane of glass in the window.
7
Might As Well
June 11, 1976
Boston Music Hall

New C.Miller cleanup (10/17) brings in the love. Brilliant show opener with everything '76 has to offer: Hot mellow, lyricisms, and DJG at her best.
19
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

So many brilliant ones, but you're missing a real treat if you count this one out. Particularly strong Franklin's but the Slipknot! is brilliant too.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.