headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Loser
Dec. 11, 1972
Winterland Arena

Solid powerful version where they start gelling perfectly for the set.
2
Sugar Magnolia
Dec. 10, 1972
Winterland Arena

Uptempo, intense, driving statement of holy-fuckiyana rock'n'roll. Not one I usually +1, but this is worth it. The SSDD is dynamite.
4
Truckin'
Dec. 10, 1972
Winterland Arena

Hard-charging diesel burner here. Bobby's nice and high in the mix, so a nice treat. The jam into TOO is brilliant.
4
China Cat Sunflower -> I Know You Rider
Dec. 10, 1972
Winterland Arena

Why no love for this great show? It isn't one of the top 10 for the year - but it's '72 and they're flowing just exactly perfect.
4
Bertha
Dec. 10, 1972
Winterland Arena

A hot rocker with Phil high in the mix. This is a "get up and dance" version with everyone clearly having a blast.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.