headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

4
Goin' Down The Road Feelin' Bad
Oct. 19, 1972
Fox Theatre

One of the rare versions that stands apart with or without its NFA bread.
6
Dire Wolf
Oct. 19, 1972
Fox Theatre

For a song that was effectively out of rotation at this point, they pulled it off with sing-round-the-campfire sweetness. Jerry growls it out.
6
China Cat Sunflower -> I Know You Rider
Oct. 19, 1972
Fox Theatre

Sweet version with an innovative transition. The whole band was on, but Keith and Phil are high in the mix and brilliant..
3
Bertha
Oct. 19, 1972
Fox Theatre

Recording is good, with Keith and Phil high in the mix. Everyone is switched way on, and the jamming shows perfect unity.
3
Sugaree
Oct. 19, 1972
Fox Theatre

Band recovers from a flubbed BTW and charges forward with this powerful rocker. Jerry and Keith's interplay as it rises is spectacular.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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