headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

6
Cumberland Blues
Oct. 2, 1972
Springfield Civic Center

Tight frolic, without the verge-of-chaos coal car vibe from the era. Bobby's contrib. is spot on, and Jer drops a "Went to Toledo" quote.
5
Black Throated Wind
Oct. 2, 1972
Springfield Civic Center

A perfectly rendered, tightly orchestrated soaring arc from one of the most inexplicably underated shows of Fall '72. Listen in: Bobby's in pure form.
10
Playin' In The Band
Oct. 2, 1972
Springfield Civic Center

I have trouble understanding why this isn't already here, other than the embarrassment of riches that is Fall '72.
4
Big Railroad Blues
Oct. 2, 1972
Springfield Civic Center

One of the best I know. Hard chargin' and up tempo hot stuff.
7
Tennessee Jed
Oct. 2, 1972
Springfield Civic Center

Bites down hard, with a potent electric twang, plus Keith is full of surprises here.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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