headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

4
Sugar Magnolia
May 24, 1972
Strand Lyceum

Man, they're having a blast. Totally firing on all cylinders, and clipping along at 90mph. Great stuff.
2
Tennessee Jed
June 17, 1972
Hollywood Bowl

Solid rockin' version with a cruisin' pulse and tight ensemble playing at high energy.
4
Black Throated Wind
June 17, 1972
Hollywood Bowl

Back from Europe with all the polish and power of a masterpiece: They've perfected the arc and emotional nuance. Miller cleanup is best (duh).
6
Sugar Magnolia
May 23, 1972
Strand Lyceum

Gets pretty hard rock in places. This whole show, actually, has a high voltage rock vibe unlike all others on the tour. Underrated show all round.
10
Big Railroad Blues
May 23, 1972
Strand Lyceum

Utterly gobsmacked that this ain't here yet: It's a furious barnburner. Full of get up and go.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.