headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

16
China Cat Sunflower -> I Know You Rider
May 23, 1972
Strand Lyceum

A more rocking version than others from the time, and oddly overlooked. Jumps off Cat right away into the long transition. Energetic stuff here.
13
Black Throated Wind
May 23, 1972
Strand Lyceum

Is there a single one from '72 that doesn't end in triumph? This song just got better and better throughout Europe. Surprised this wasn't here yet.
11
Sugar Magnolia
May 13, 1972
Lille Fairgrounds

Perfect musical sunshine. This one even got my not-at-all-into-the-Dead wife to dance around like a trippin' hippy, so you know it's good.
15
Truckin'
May 13, 1972
Lille Fairgrounds

Unforgivable that you guys overlook Truckin'. There's a reason it's the one song non-heads know. This one is a forgotten colossus. Listen up.
8
Mister Charlie
May 13, 1972
Lille Fairgrounds

Distinctly slower, with a greasier funk vibe. Surprised it isn't here. Different from the others and lots of fun.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.