headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

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Submissions

4
Dire Wolf
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

A little triumph here. Acoustic intimacy from a brilliant great of a show.
2
Mama Tried
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Like all your best friends sitting around the campfire, strumming and pickin' by starlight. Have a sip or a toke and enjoy....
4
Friend of the Devil
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Really lovely here, part of one of the warmest, most intimate acoustic sets of 1970.
3
Not Fade Away
July 16, 1970
Euphoria Ballroom

Jerry and Bob bite down hard and tear into this one with muscle. Their interplay lightens up and whoops! We find ourselves in Stephen.
3
Candyman
July 16, 1970
Euphoria Ballroom

Anthemic beauty. Great ensemble singing and powerful pacing to it. Then Janis steps on stage for Love Light, so there's that.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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