headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

4
China Cat Sunflower -> I Know You Rider
June 6, 1970
Fillmore West

Short Cat, but very interesting transition, with Bobby driving in all his angular beauty, followed by a tight jamming Rider.
2
Mama Tried
June 5, 1970
Fillmore West

Want to here the '70 sound, the closeness, the transition from psychedlicore to country to arena rock? Here it is in all its chaotic beauty.
4
Cold Rain and Snow
June 5, 1970
Fillmore West

Like everything from this epic heady show, the boys are just exactly perfect. The vocals are so on. Jerry sounds great.
3
New Speedway Boogie
June 5, 1970
Fillmore West

With the exception of the unfortunate tape flip, this is a pristine acoustic version. Jerry has the vox of an angel here.
3
Friend of the Devil
June 5, 1970
Fillmore West

Pure and perfect. Fans of '70 will already love it. Those discovering the acoustic Dead, here it is. Wow.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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